flower-picker

Behind the maze of Tienqa lines, a young girl picking flowers, her figure half-hidden but still present. The innocent act is there, yet it feels distant, as though we are watching it through interference.

The overlay of patterns shifts the painting’s mood, turning sweetness into something uncanny. It is no longer just about the girl but about how we see her, filtered, obstructed, redefined. Made in the Digital Age, yet without digital tools, it questions how even the simplest gestures can be reshaped by the layers placed upon them.

The Digital Age